{"id":3355,"date":"2019-07-05T07:47:45","date_gmt":"2019-07-05T07:47:45","guid":{"rendered":"https:\/\/www.dagilupi.com\/index.php\/recommadation\/contemporary-art-in-puglia\/"},"modified":"2019-08-01T06:39:41","modified_gmt":"2019-08-01T06:39:41","slug":"contemporary-art-in-puglia","status":"publish","type":"page","link":"https:\/\/www.dagilupi.com\/index.php\/todo\/contemporary-art-in-puglia?lang=fr","title":{"rendered":"L’art contemporain dans les Pouilles"},"content":{"rendered":"

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L'art contemporain dans les Pouilles<\/h1><\/div><\/div>
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La Basilique de Siponto (Siponto - FG)<\/h4><\/div><\/div>
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A l’int\u00e9rieur du parc arch\u00e9ologique de Siponto, pr\u00e8s de Manfredonia dans la r\u00e9gion de Foggia, l’artiste italien Edoardo Tresoldi a cr\u00e9\u00e9 en 2016 une \u0153uvre grandiose : la Basilique de Santa Maria Maggiore. Sur commande du Minist\u00e8re de la Culture il a r\u00e9alis\u00e9 une installation tridimensionnelle permanente qui ressuscite sur ses fondations et dans ses volumes la basilique pal\u00e9ochr\u00e9tienne d\u2019origine. La visite est gratuite. Edoardo Tresoldi, n\u00e9 en 1987, a \u00e9t\u00e9 d\u00e9clar\u00e9 par Forbes en 2017 l\u2019un des artistes de moins de 30 ans les plus influents au monde. Sa particularit\u00e9 est de travailler avec des treillis m\u00e9talliques, ceux de nos chantiers, en cr\u00e9ant des installations colossales fascinantes de l\u00e9g\u00e8ret\u00e9 et de transparence. L\u2019\u0153uvre cr\u00e9\u00e9e \u00e0 Siponto, sous-titr\u00e9e “quand l\u2019art reconstruit le temps”, mesure 14 m\u00e8tres de haut, p\u00e8se environ 7 tonnes et a n\u00e9cessit\u00e9 4 500 m\u00e8tres de treillis m\u00e9tallique.<\/p>\n

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Le Mus\u00e9e Pino Pascali (Polignano a Mare-BA)<\/h4><\/div><\/div>
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Le Mus\u00e9e Pino Pascali a \u00e9t\u00e9 fond\u00e9 en 1998 gr\u00e2ce \u00e0 un important don de la famille Pascali. Pino Pascali n\u00e9 \u00e0 Bari an 1935 a \u00e9t\u00e9 une figure importante de l\u2019arte povera. A l\u2019\u00e2ge de 30 ans Pascali tient sa premi\u00e8re exposition \u00e0 Rome et la critique enthousiaste le nomme alors \u2019astre naissant de l\u2019art italien\u2019, ce qui lui vaut une prompte renomm\u00e9e et une invitation \u00e0 la 34\u00e8me Biennale de Venise pour une salle personnelle. Il re\u00e7oit la m\u00eame ann\u00e9e le Prix International de Sculpture de la Biennale qui le place d\u00e9finitivement parmi les grands. Il d\u00e9c\u00e8de tragiquement en 1968 \u00e0 l\u2019\u00e2ge de 33 ans.
\nEn 2010 le Mus\u00e9e Pino Pascali devient une Fondation et propose, en plus de l\u2019exposition didactique permanente et des archives sur Pascali, de nombreuses exhibitions temporaires par des artistes contemporains des Pouilles et par les artistes internationaux laur\u00e9ats du prix Pino Pascali.<\/p>\n

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Le sanctuaire de la patience :
\nle Mus\u00e9e de la maison d'\u00c9z\u00e9chiel Leandro (San Cesario \u2013 LE)<\/h4><\/div><\/div>
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Dans la partie la plus m\u00e9ridionale du talon de l’Italie, une visite de la maison d’\u00c9z\u00e9chiel Leandro, figure tourment\u00e9e et controvers\u00e9e de l’art contemporain, vaut certainement le d\u00e9tour. Le “sanctuaire de la patience”, comme l’artiste avait d\u00e9fini sa maison-mus\u00e9e de San Cesario, a \u00e9t\u00e9 inaugur\u00e9 par Leandro lui-m\u00eame en 1975, apr\u00e8s 15 ans de travail. Entrer dans ce coin du monde, \u00e0 pr\u00e9sent entour\u00e9 de hauts murs pour \u00e9viter pillage et vandalisme, est d\u00e9j\u00e0 une exp\u00e9rience. Toute la zone est couverte de sculptures et de mosa\u00efques repr\u00e9sentant l’Apocalypse, la passion du Christ, le jugement dernier, les monstres avec lesquels Leandro combattit, et autres figures mythiques produites par son esprit brillant et complexe. Visiter cet endroit signifie rester \u00e9tonn\u00e9 devant un imposant “po\u00e8me” fait de mat\u00e9riaux, souvent de r\u00e9cup\u00e9ration, transform\u00e9s en \u0153uvres merveilleuses.<\/p>\n

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